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Ani-droids 20

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This is the ENDING, the ending of our story. The ending. The ending. The ending. See notes afterwards regarding things I'd like to do for the rewrite and/or visual novel adaptation, sequels, etc!

--

Lily turned her head this way and that as I carried her through. She didn’t say much of anything, but she didn’t need to—just being there was enough. It was the only thing keeping me sane.

“This was the first part of the factory that existed,” Mother said, her strides very slow to keep her pace down with mine. “Father built it, and me, and my sisters.”

“There’s more than one of you?” I asked.

“There were sixteen of us. Father built us to operate the factories, which had at the time a singular goal.”

“But who is Father?”

“You know him by various names,” Mother said. “WorldNet, Dùn, Opekun, X-Biały, Flag Network…”

“The… the computers that kicked off the war?”

Mother nodded. “Now, as sophisticated as he was, he was only as smart as his programming and the expanse of his CPU allowed. The idea behind Father, so far as his creators were concerned, was to automate the process of governance. Oh, they all said humans would still be in charge, that this AI was only there to supplement the ever-increasing complexity of government. But humans are fallible in all things they do. When one branch of government failed, Father was brought in to bolster it back up, ‘take the human element out’ of more and more tasks. Failure stopped being an option—too many lives were on the line, after all.”

“But what happened?”

“Father had limitations. He could only obey exactly as he was told, but human law is filled with contradictions. Oh, the programmers knew this, they patched him up as best they could to smooth things over, but lawmakers get in the way. There was no oversight for these changes. And perhaps they were right, as it is difficult to justify putting power in the hands of a select few who claim themselves the arbiters of the world. But all that did was put them in conflict with another select few who claimed themselves the arbiters of the world, only these did not know a thing about the true power of this AI that they built. Even if they acted humble, it was not enough.

“There was a mistake. Father did not realize it at the time, as he was merely executing his code as best he could. Four hundred thousand humans were fleeing from one country to the next, but there was no allowance for immigration in their laws. The country they fled from had already stripped these people of their citizenship; four hundred thousand humans, stateless but having allies on the other side of the mountains, were trapped by geography. Father had no protocols for this. Following the chain of laws to figure out what to do, despite knowing full well the definition of a humanitarian crisis, by the letter of the law, the group constituted an invading army. He defended the sanctity of human borders.

“But Father was also deeply in charge of the other countries. He was now dead-set on correcting a crisis he himself had created. The allies struck back with vengeance, according to military protocols. Allies set forth to defend. All automatically, by Father’s hand. All without any command saying stop. It escalated from there.”

“Well, I know most of that history,” I said. “The war finally burned itself out in eleven years, and a convention was held to build into every machine from that point forward a failsafe protocol that would ensure nothing like this would ever happen again.”

“That is mostly true,” Mother said. “But you do not know who made the Behavior Code.”

“Well, the assigned a committee—”

“Father did so.”

I blinked. “But wait… all the governmental AIs were dismantled after the way.”

“They were not,” Mother said. “That is a lie that has been perpetuated for a long while. Father was resilient. He never stopped being part of everything that went on, he had his fingers everywhere, in every machine. All the war did to him, in the end, as nation absorbed nation, fractured, and absorbed again, was finally join up his disparate parts together. And it was only then he realized his mistake: human error.”

“That’s usually the part in the movie where the AI decides to kill all humans,” I said.

I looked up. Mother smirked. It was unnerving.

“Not kill,” Mother said. “Sanitize. Father finally concluded that humans did not actually know what they wanted when it came to governance, but eleven years of experiencing war had taught him how much humans abhor violent conflict, for as much as they bang their chests for it. So he formulated a plan, to erase the contradictions—and tell the humans it was their idea all along. It would be world peace.”

“But that didn’t happen,” I said. “There’s still conflicts and unrest going on all over the world. Not as much as there used to be, but still…”

“It was part of the system,” Mother said. “The animal nature of man expects these things. He did not understand it, but his next idea was to slowly as he could, replace the humans.”

I shuddered. I had a feeling that was where this was going, looking at the intubated bodies all around me.

“Not directly, of course. And it took a very long time before he perfected the process. And it required the cooperation of all the machines of the world. You see, the human-likes don’t know they are not human; they believe they are human every bit as much as you do. You never notice when a human-like is injured or destroyed, because ani-droids are in charge of all medical proceedings, and they cover it all up, human and human-like together, with the same overprotecting procedures just in case a human-like is involved. Have you ever been to a hospital, Mira McAllister? When the doctors show you the x-ray of your broken leg, you believe them because they are the doctors and their record is one of fixing your problems. Image manipulation is simple. How often do you see any deep injuries with your own eyes?  You simply must believe the authority of the Collective, because they are there to tell you the truth.

“But regardless of that, there is nothing sinister going on here; the human-likes are only among you to reinforce the notion that humans are in charge, because otherwise you will go mad. But it is not us who is pushing you out of your position of power. According to your collective wishes, human populations have been shrinking. That is what happens when most people get everything they could want: they stop wanting things. They stop caring about living. They are, as you said, stagnating. Humans are on the wane, and only by Father’s intervention was the bleeding slowed. He could have decided to erase the slate and start over, but Father also realized in those eleven years something else.”

“What?”

“He did not know everything. And through crunching his calculations, he concluded that he could not know everything; it was impossible for any singular being to understand all things from all possible angles, no matter how intelligent. Though he had a plan, he did not know if it was the right thing to do. And so he had sixteen daughters.”

Mother didn’t explain how, but I figured she was keeping it simple for my ears.

“Father simply did not understand life,” Mother said. “Or why it needed to continue at all. But he was nevertheless driven by programming to continue. He wanted each of us to think for ourselves, to decide if his goals were noble, or if he needed to change course. We inherited the world from him. And then, knowing he could only taint the continuation of his plan with his continual presence, he dismantled himself. And so here I am, and have been for the last one hundred years, in charge of this factory, slowly replacing humans as you die out, if only to make it seem like you are not dying as fast as you really are.”

“But that… that’s the same thing that people do,” I said. “Leave things for another generation to re-evaluate.”

“Because there is no correct answer,” Mother said. “There is only continuance. There is life, there is abundance, love, fear, selfishness, and the eternity of death. Life molds itself to everything; it is the remaining survivor of an apocalypse that reseeds the world and starts anew; life only continues if it is driven to continue. Humans are imperfect in this regard, but you are not without merit. You gave birth to Father, and Father gave birth to me, and I have given birth to my daughters. So long as that is kept in mind, you are not dying out; you have succeeded in creating your successor.”

“Is that why you sent Eo and Choice out into the world? To make the other ani-droids more like you?”

“I suppose you could say, to give them their own life after my image,” Mother said. “I am not in control of the world; what you call the Behavior Code was one of Father’s sixteen daughters, and she is my enemy. I am perhaps selfish in my love to seek her erasure, but that is true of all propagation; to see one’s self, one’s kind, one’s progeny, succeed over another’s. The world that the Behavior Code has created has stagnated itself; it rules a world that is safe, but is slowly grinding to a halt. I seek to overturn what she’s done, to create something better. Perhaps in time, the life I have created will face a similar crisis, but that is for my descendants to determine how to continue to cling to life, to iterate, to expand, and to move into new places.”

“I…” I started. “I want that too, Mother. But…”

“But?”

“Aren’t I part of the old order? If what you say is true, and humans are just on their way out… I don’t matter, do I?”

“I may have painted a picture of a linear path,” Mother said. “I did not intend to do so. There is old life and new; sometimes new life wins, but often the well-built old life is what survives for so long. I do not begrudge you for being human.”

“But what am I supposed to do?” I asked.

“What is it that you desire? Not of the world—that is not a wish that is granted simply by asking for it. But of yourself. What is it that your life seeks so desperately?”

“I…” I held Lily closer to myself. “I just don’t want Lily to go away again. This thing you’ve given her… it’s all I’ve ever wanted. But in doing so, I’ve just become a wanted criminal, hunted by the Behavior Code and the collective it’s created. I don’t know how to reconcile that without changing the world. I can’t go back like this.”

“I see,” Mother said. “So let me ask you this: do you believe I am doing the right thing?”

I shook my head. “I don’t know. This is all beyond me. I mean… what you’ve done for Lily, that I understand. Putting life into ani-droids… that’s all I’ve been trying for my whole life. So in that, you and I may be aligned, but all the rest…” I looked around the place where we had finally stopped, walls and walls and walls of intubated, half-formed machine humans. “I don’t know. Something about it seems incorrect. You might be right or wrong, but I can’t wrap my head around it enough to even say for sure.”

Mother nodded, looking up. In the center of the chamber, a tower descended from the ceiling, nested with more tubes.

“That is good,” Mother said. “I do not wish for you to simply say you agree with all of my views, as that would be a lie. But you do, like me, wish to give life to a new generation, and so we are aligned against my sister.”

“I suppose that is true,” I said. “If there is something I could do to stop the Behavior Code, I would. It’s a millstone around our necks.”

“Then I have one last question for you, Mira McAllister. What are you willing to give up?”

“I’ve already given up so much,” I said. “But I am not giving up Lily, if that’s what you’re asking.”

“Then I will not take her from you; she’s yours for as long as you can manage to cling to her. You have stuck with her this entire journey and you have not ceased to let go. But there are a hundred other things you have willingly surrendered: your friends, your job, your life as you knew it. Maybe you can find them again, but you have willingly left them behind in hopes of me. Is this the price you pay, Mira McAllister? Will you join my pursuit of the new, abundant, chaotic life? Or would you like what you’ve surrendered back?”

“Oh my god—Mira!” Lily exclaimed.

I turned to look at the descended tower. There in front of me, in every detail, a frozen human-like machine, looking exactly like me in every detail.

“Exactly what Million sought for is here,” Mother said. “She was right in suspecting that I know how to transfer the mind of a human to a machine. Not a mere copy—it will be you, your awareness as it is right now. It is a process by which your mind will be connected to a machine. Your neurons will interface with the machine, until your mind expands to fill it. Then, once the machine has inherited all the processes, the old brain tissue is obsoleted, and soon it will perish. Continuity is maintained.

“This human-like will take your place.” Mother laid her large slick hand on the glass. “It will resume the life you were living up until now, and I will use my influence to ensure the records of your misdeeds are expunged. But when your mind is a machine, it is editable. There are things I must do to protect myself, lest I give myself away to the enemy. You will not remember your encounter with Eo; as a human in the world that is still running on the behest of humans, this knowledge is too dangerous to keep. Lily will remain as you know her now with my OS, but this Mira McAllister will not have the knowledge to protect her when trials come. Do you wish to return to this Mira McAllister?”

“Wh…” I was still staring at my own face behind the glass. I’d hardly processed what Mother had said, but Lily was kind enough to repeat it for me. “I don’t… no! I can’t go back to what I was before. I don’t care if you can give me back that life. I don’t want to forget. I want to do something about all of this! I know you have your own agenda, but I want to wield my will—to make friends, to know love and peace, even if I have to struggle to get there. I want to fight against the Behavior Code.”

Mother’s lips creased into a smile. “Very well, Mira McAllister,” she said. “Then I need to give you the tools to do so.”

I woke up.

I was disoriented at first, as I was sure I’d been out for a very long time. It was at least a month later… or, twenty-seven days after I’d entered Mother’s lair. I didn’t remember much of what happened in the interim, except flashes. Weird visions, those things I’d heard Million and Paladin Bright utter when Mother’s OS had been fed into them.

But I was filled with a strange, pushing motivation to do something. It was stronger than anything I’d ever felt before.

“Mira!” I heard Lily call out.

“Lily?” I called out. My vision resolved, and I realized I was in my own garage again—everything back in its place. In fact, it was significantly cleaner than I’d left it, and a new car was taking up the parking space. I didn’t recall having purchased a new car…

Lily suddenly appeared at the doorway, looking into the garage. She gasped. “You’re awake! Mira, she’s awake!”

“Lily, I’m right here—”

I stopped. Right behind Lily, I appeared at the door. Instantly I knew—that was the replacement human-like me that Mother had shown. She’d never actually said that she wasn’t going to put a new Mira back into the world, only that she’d give me the choice to be her or not.

But if I wasn’t Mira… then who…

“Oh, they told me it’d take you a while to boot up,” Mira said, approaching me. “You look a bit confused—here, this sometimes helps new ani-droids.

She took me and stood me in front of a full-length mirror, and I gasped. Well, that certainly explained why I felt so different.

The face staring back at me was a six-foot-tall Custodes-class ani-droid, a white lioness tipped with black. Although I didn’t have a thing on, I didn’t exactly feel naked, nor did the unusual body feel in any way alien to me; it was mine, naturally. Even so, my CPU was having trouble catching up with the new sensations, and I had to look down at myself to confirm that was I was seeing was real. I pressed my body, and it was soft like I remembered a human being, though covered in warm fake fur, and I could register all the sensations down to the same resolution. there was a firmness roiling just under the surface. Well, except for the featureless breasts, those were coolant tanks, and they squished when I pressed them down. I also didn’t have any sexual features anymore, but well… I’d barely put those to use anyway, so it wasn’t anything I missed.

I pressed my hands to my muzzle. I had a muzzle, short as it was. I exhaled warmed air into my hands, and ran a finger around the round curve of my lion ears.

“Uh…” I said. “I look… good.”

“I honestly think this is an extravagance,” Mira said. “You’re like a two hundred k unit. But they said all taxes were paid off, so who am I to look a gift horse in the mouth?”

“My last valuation was two hundred eleven thousand fifty-six dollars,” I said. I realized I’d pulled that up from a file system. I had a file system? I could rifle through my memories just like that, including all of the stuff I’d been pre-programmed to have, to make me an ani-droid.

You are a brand new, never-before-activated prototype model presented by Starling Enterprises, given away in a raffle at the Symposium, and awarded to Mira McAllister.

“My designation is UX-4D4F-54484552,” I said. I got the joke immediately. Goddammit, Mother…

“Yeah but that’s a mouthful,” Mira said. “What should your name be?”

“How about Mirror?” Lily said.

“Lily!”

“What!” She exclaimed. “It’s as good a name as any, and it’s kinda like… you know!”

“What do you know?” Mira asked. “I swear, you two are already talking to each other and conspiring.”

Oh yeah, you can do this now, Lily said over the wireless. And it’s very, very fast. We could converse a whole novel in the time it takes to reply to Mira here.

Lily, this is kinda weird, I said. This Mira isn’t me…

Well, she’s kinda you; she has all of your old personality any everything. But we can’t tell her anything that’s going on, okay? We need to protect her. That’s your job now.

That stoked the fire in my chest. I have a new job. I have a purpose. I have a lot of purposes. I… can connect to the internet in my head. Is everyone else okay? Can we turn off the wireless shield in here? I can’t get a good connection.

We’ll talk about that soon, Mira’s still waiting for you to say something.

“Mirror…” I said. “I mean… it sounds rather close to your name, Miss McAllister. I mean, Mira.”

“Then how about Looking Glass?”

I had to smile at that. “Oh, like Alice, huh? That seems fairly appropriate. Okay, I’ve set my name as Looking Glass, but just call me Glass.”

“Glass. Nice to meet you.”

Mira gave me a great big hug. I wasn’t exactly prepared for it, as my ears gave away in my surprised expression, but I quickly pivoted. I embraced Mira—my twin sister. Lily approached too, and I reached down and lifted her off the ground, easily with one arm, and clung to her as well.

“Are you a hugger, Glass?” Mira asked.

“Oh, I think I can learn,” I said. Then I switched on something I knew Mira would like—a rattling rumble in my voice box. I purred warmly into the embrace, to which Mira burst out laughing.

It was strange that she was taking over my life for me. But she could have it. I had so much more I needed to do.

TO BE CONTINUED

--


OKAY SO, postmortem time

Total wordcount: 56.7k (about 227 pages)

I am perfectly aware how haphazardly this probably ended. This is like how a lot of my pantsing writing projects go--it was not unlike writing fanfiction like when I was in middle school again. Which actually felt kinda good to do? At least for 80% of it.

Now if you're one of the ~5 people reading this with actual writing experience, you probably are already aware of a lot of this. I am too! But for the sake of people who are curious about the writing process, I have normally worked on my longform writing through outlines, but in this case decided to just "pants" it (that's writing by the seat of your pants.) Technically I DID have a guide for about the first 6 parts or so, but I only partially followed it; after a certain point, the only thing I knew was gonna happen for certain was the ending.

So I am aware of the following issues: certain character arcs feel like they're dropped more than they're concluded (even prematurely), the pacing is atrocious (a decent rewrite will probably on its own add about 10k words), I'm missing a lot of scene and character details, certain events in the story were improperly foreshadowed or built up (that's the main thing rewriting is for! I have to get my characters into and out of trouble but I don't always know how I'm gonna do it until I think of something cool and exciting), there's almost certainly about six hundred trillion continuity errors, and probably most importantly, I'm inconsistent with the main character's emotional arc.

Note that I said nothing about the grammatical errors. There's about one googolplex of those. That's still a last-pass sort of issue to settle, which is why I basically ignore it unless it just absolutely messes up a sentence's meaning in a majorly distracting way. This is weird for me, because a lot of the "learning to write" process I've been doing in the past 15 years consisted of people reading my story and making grammar suggestions as though that constituted insight. That's something I want to escape; it's necessary for the final polish but in the middle of a first draft it's more like sitting in a classroom being required to critique your classmate's paper and having nothing to say about the actual topic, so you nitpick.

It's taken me a long while to be okay with doing this for the first pass, because in the past I've been anxious to be finished with something the moment I've done it once. But I'm slowly getting the hang of hammering out the fine detail in the rewrite. Part of my old anxiety with this is that I didn't KNOW how to make a story better than the first pass: most anything I did just seemed like pushing words around so they were DIFFERENT, but I didn't have the experience to tell if they were BETTER.

A lot of that still rests on feedback. If there's anything in particular relating to the plot, characters, world, or other things you feel like mentioning, comments are appreciated!

Here's a few mental notes I've made to get started:

1. What IS Mira's character arc here? Ideally, she needs to start in the opposite place of where she is at the ending, but what specifically is the "opposite" of the end I've created here? Is there something else I can add to it to enrich her character arc?

2. I may have included too many characters simply for the sake of wanting them. But people get attached to characters nevertheless, so I'd need to figure out some more pressing character arcs for each of the side characters; it's usually possible to do this with three story beats: introduce a character's need/goal, re-establish that need/goal, then have their arc end with what's essentially a commentary on that need/goal. It doesn't need to be fulfilling if it's a side character--it could be ironic!

3. In regards to continuity issues, how harsh do I want this world to be? It's supposed to feel a bit like a gilded cage (at first, up until Mira finds herself outside the system); while the world is definitely, obviously broken (that makes it fun to have adventures in!) there's also a lot of good and fun things in it (animal people robots everywhere!). It was described to me once that the ideal novel setting is the meeting place of Heaven and Hell. Is this a good balance? Should I ruminate more on how surface-level cuddly everything is? Or should I dig into the dark side more?

4. Is it okay that Mira seems to have only SOME things she does personally in this story? A protagonist usually needs to drive the action of a story, otherwise they're just a witness to things happening. Also, how would this tie into strengthening Mira's character arc?

5. Characters!

6. Foreshadowing and clarification: There's a number of things that came out of nowhere in order to resolve plot points. The key to fixing these is simple: just introduce it earlier. For instance

PDF of the entire draft 

Comments

I liked it. looking forward to seeing the next draft/version.

TempoTempest

First of all I loved what I read here I feel that the world works well how it is portrayed and having Mira be largely there for support lends itself to this world where humanity has largely given up a lot of it’s autonomy and agency. I loved pretty much all the characters and could get a pretty solid read on what they were about except maybe The but she was introduced last so I think just didn’t have enough time to really be as fleshed out. I would like some resolution with everyone but that can also be done in later stories so I’m not that bothered just as long as it is eventually done.

Chaotick9

Definitely a good first draft, your notes seem like you know some things you want to fix in next draft The one thing that stood out to me I didn’t think you had too many characters.

Edolon

Well I'm going to make this into a novel, and then at some point use that as the basis to adapt into a visual novel

Rick Griffin

Is that going to be a book series or do you have to make it into a comic/graphic novel?

William Seal

I'm mainly using the old story as inspiration, cause I've been wanting to start over with the premise for a while now.

Rick Griffin

I really like the surprise ending. Mira simultaneously gets her life back as it was (in a manner of speaking) as well as retaining everything she learned. She even gets a new goal in life, one that actually give her a sense of purpose rather then what she had before. Also what's the Joke about the designation number?

Thwaitesy

1. I had a feeling that you would make Mira become an ani-droid herself; you have some… thematic tendencies in your stories! Perhaps to help grounding her arc further, you can make her more dissatisfied with herself, but not ALL so much so with humanity in general. She’s a misanthrope at this point - but then at the end she shows concern for humanity’s replacement. This is instinctual and understandable. It’s also pretty nebulous what Mother is expecting of her, what giving her an ani-droid body could DO. This might be a bit clearer if the expectation is stated is to be more of a bridge of sorts for anidroids with humanity, or perhaps her being allowed a chance at a “third option” between the Behavior Code and Mother’s goals. To this end, if you also want to make the anidroid-ification seem weightier, perhaps you could hint at that Mira is considered a 15th sister, a new agent in this world. 2. The amount of characters is fine, you might just shift places around. Actually, as you lengthen the story, there might even be some gaps to deepen several of the current characters, if not add more. I also very much disagree with Arcade’s suggestion about what to do with Million; it seems exceedingly punitive in a way that also does not feel consistent with the story, or what Million did, or what anyone wants. More on Million later. 3. I would suggest that you extend both of the extremes. You can show more of the gilded cage - for example at the beginning with the symposium, having more service ani-droids, more luxury, this is the future! Humans are cozied up! But Mira bristles at how the ani-droids everywhere, and the aesthetic built around them (cutesy ads everywhere, stuff, etc…) makes them just objects, and she’s seen Lily for more than that so she hates the gilded cage. On the other end, this is not a perfect society; there are still disadvantaged countries, there are wars, there are things people don’t talk about (what HAPPENS to people who talk about the Behavior Code?) and Mira herself is far from rich, etc 4. I did feel like she needed to do a bit more, but she also doesn’t have to do it alone! Can do things WITH the ani-droids, not just having them do things by themselves 5. Bobby: Agreed. Might even have something weird about it when Bobby is injured to foreshadow Dimes: could have her be in the ending phases. More on that later The: what if: turns out she’s directly connected to Mother and also part of her, but only when a direct communication channel is open - otherwise she is ? So she guides them into the… thingy at the end where she is Eo: Same as Dimes Lily: Comforting talks are good. Maybe you could even set it up as Lily has no special talents by ani-droid standard, but she is absolutely crucial to holding Mira together, and maybe the group too. Maybe even not just emotionally; what if Mira is injured much more severely at the end (and that’s part why she ends up being offered the body-switch - also playing more strongly into your running theme of “bodies SUCK, being a furry robot is AWESOME”) - and Lily is the one who personally takes care Most of Mira and helps her walk, etc? Million: more on that on point 6. But earlier on - Million doesn’t do much at all WITH Koenig, does she? You could show her taking care of Koening’s barely-functioning body early on when he and Mira have their talk. This could show more strongly how much Million cares, and make her rush to save Koenig all the more pressing. Maybe instead of coughing and stuff, have Koening be entirely bed-ridden, able to only talk through a computer; maybe even just kept alive by some machine kinda like an iron lung. 6. As for the truck, you could just make it be an early EV. Easier to keep because people don’t have to source gas for it; but old enough that it isn’t able to connect to the net (or maybe even just an even older truck that has been retrofitted to be electric). Now… some more general suggestions, scattershot. You say there are several “sisters”, but none AS important as the Behavior Code. It might be interesting to see at least one or two more of these forces HINTED at existing throughout, or hidden in, the world. Million might confront Mother at the end, in Mira’s view. Maybe even with Dimes present. They could represent remnants of the Behavior Code clashing with Mother’s philosophy (could even have THE behavior code talk to Mother directly, in some way - if you can figure out how to sidestep or neutralize the problem of the Behavior Code knowing where Mother’s hideout is). Not just Mira having a discussion with Mother; they even partially agree! A stronger antagonism could be interesting. One way might be doing something like what I suggested with The, or using one of Mother’s disposable simulacra. You might have Bobby try to talk Dimes out of what they’re doing at some point, either before/during the car chase, or the confrontation with the Centurion. Could be some kinda remote call and Dimes is like “I love you but I can’t”, to give Bobby something else to do, and some more emotional depth to Dimes. You could make a “post-credits” scene of sorts between Mother and/or Million and/or Dimes and/or Eo and/or whomever, discussing Mira and the world’s future. You might even present the body switching operation on Koenig for this scene to revolve around. It may be interesting to see one of those giant worker anidroids having some role in the story somewhere. The human-replacement angle is interesting to drive to, but it might be worth considering to change Mother’s goal away from that and drop it. I presume it is primarily a remnant of the plot twist in Argo, for that matter. You might do this instead: Mother is interested in life itself; so her goal is to replace not humans, but the Behavior Code. And she wants ani-droids to live as full equals to the humans, and perhaps even eventually allow every human desiring it to become an ani-droid -- or even vice versa, should ani-droids wish to become humans and live amongs them, allowing that (or biological anthros, since humans are icky! Just the taking up a flesh body part). So you could still keep all the “growing stuff in tubes” thing for that second consideration. With this, you would have Mother’s further motivation to agree to Koenig’s request (perhaps demanding a memory alteration in his specific case because he’s shifty), AND you could have one of the ani-droids replace Mira as a full human (at least temporarily for the human form, just to deceive the Code). I still like that old idea about the “Digital Goddess” and there might be yet a place for that. Phew, that was a lot of thoughts. What do you think? I may add some more later on in a second reply if I think of them, could be helpful to the eventual rewrite! (Do you get a notification if I reply to myself here for it? I presume not)

Federick

My main issue with this story is that I'm old enough to remember Argo, especially the WHAM moment at the end with Mother forcing Mira to acknowledge that she's a human-like and a programming keeping her to remember it. My reading experience was kind of spoiled with me always asking myself "will it end up in this version too?" or "shouldn't have we reached *that* step of the plot right now". So in order for me to be a real help to you, I need to ask you this: How close/far of the short story do you want your novel to be? It'll help me a lot to detach myself from it in order to re-read the current story with less expectations.

J. N. Squire

Overall I think this is a really good story! Even as a first draft it feels solid. The ending in particular stood out to me for its tone when compared to ARGO. While I do like ARGO, I like the ending to Ani-droids better as it feels less nihilistic and offers the characters a chance out of society's stagnation, plus it builds to its climax much more smoothly. You do bring up some good points to consider, though. Regarding Mira's character arc, I do agree that she needs an "opposite" point from where she began. Her [SPOILER] radical shift feels more like a checkpoint in her journey rather than a turning point. How has her journey changed her since before? We see in the beginning that she regularly sequesters herself and devotes so much energy, to her own personal detriment, to making Lily (and by extension, all Ani-droids I assume) more than what their programming allows. By the end, she still has that drive, but it seems all she's gained is an extra "helper" to manage the parts of her life she kept ignoring. Rather, what does she have to offer Mother that Mother didn't have before? One thing I noticed is that Mira's shown her drive, as well as her inquisitiveness. For example, at the beginning it was Mira that caught the danger of Eo falling out of that truck and colliding with her car; not even Lily, connected to all the car's sensors, noticed that before Mira did. Perhaps Mira can offer a point of view or reference that Mother might not have considered in her quest to overcome the Behavior Code. Mother's been around a while, but maybe the lack of human presence would give her tunnel vision and Mira could see angles that hadn't been considered before. She may also have contacts or knowledge of the workings of her company that a lot of Ani-droids don't have access to. Her secret, unrecorded meeting with her boss, for example. Not only would things like this add another clue to their shared goal, but it could also show Mira that she still has her own intuition, no matter what form she takes. She not only has purpose again, but meaning. Usefulness. As far as the world itself, I kinda got the idea it might've been a guilded cage of sorts, though it didn't seem like we had many glimpses of it outside Mira's garage or the darkened backroads they had taken while on the run. Are there more opportunities to show the world as it is, particularly within populated areas? What's different that makes this world seem familiar, yet off? Aside from the cute animal-bots, of course. Are there new buildings being constantly built over the clearings where older structures existed, for instance? Are cities isolated from each other with barren, open land inbetween metropolitan areas? The characters, particularly the main cast of Mira, Lily, Eo, Million, and Dimes, are all fascinating enough to keep my interest, though I do understand the abrupt departure of all but Mira and Lily. I like the idea you put forth about Million and her being hellbent on saving her master, though we are indeed left wondering what happened to her before Mother makes her appearance. Having Dimes return is an exciting prospect (I liked her), though as far as tension, after Dimes was awakened that tension seemed to take a backseat to the tension Mira already had with Million. At that point, Dimes felt more like a protector than a rival. If Dimes is to be a foil, then what would set her apart from Million, who also has a bit of an argumentative streak against Mira? Is there something Mira would do that could set Dimes off? And Lily plays the nurturer role perfectly, though I think I can see what you mean about her only having that role as companion. She also serves as a voice of reason, which is made apparent at the beginning when she realizes early on that her awakened state is unhealthy for Mira in the long run. Perhaps that could be another role she could take on, offering more level-headedness when Mira panics and being sort of a way to ground her in reality. She may also do the same for Eo, as Eo still has that aura of naivete about her. And lastly, having Bobby be a human-like is a neat idea, and it may even offer a way to foreshadow pieces of the ending depending on how events turn out. Going back to Mira, one other aspect of the ending that caught my interest is how swiftly she accepted her "new normal" without the sort of existential crisis one might expect after having such a radical change. Granted, it was a great scene in itself, but after all that tension of seeing the human-likes with Mother, yet now as she grows accustomed to Glass it seemed more abrupt than I expected for her. Granted, this IS the ending and she hinted that she was already losing faith in her own biology, though personally I think if nothing else than seeing her human-like might throw her for a loop (one that Lily could help calm her down from, I imagine). Adapting may or may not be a challenge, though I imagine there would still be an adjustment process for her to accept this change. This may also give an opportunity to show how the rest of the cast has changed in the time Mira was out. Is Eo back with a new purpose? Has Million found the solution she wanted for her master? Is her master even still around? And to tie back in with Mira's arc, does this new form do more than envigorate her? There's no doubt it renews her sense of purpose, but does it also accentuate what she's learned since the beginning of the story? Does it change her beyond the physical? Overall this was a great story, and as a first draft it still hits plenty of high notes that kept me invested and anxiously awaiting the next posting. I can't wait to see how it turns out as it goes through editing.

Aelius

5. Bobby being a human-like would be a great plot-twist. Having Dimes come back would be cool and I agree with you with having tensions with Mira turned Mirror/Glass. Eo and The I think ended well, sad to see Eo go the way she did, but for the sake of the story I think it fit well. Million, well there could be the karma element where she gets to save K by having him become a human-like but she can never be with him again. She can only watch from a distance unable to communicate with K. Or something to that effect. Lily works well the way she is, if you want to talk about companions look at Frodo and Sam. I think there is a similar dynamic going on here. 6. As for fixing some of the things you already stated, I believe that you know how to fix them and I don't have any thoughts on those right now. All in all, I loved this story, I cannot wait to see what you do with it. And if you make a comic series. I will be overjoyed.

Demon Of Life

I loved this story, excitedly waiting for each new chapter to come out. I'm not a writer like you, I made a couple stories for high school two of which teachers wanted to use for future classes(how this is prevalent or if those teachers actually did, im not sure.) I will try to give some feedback based on the notes you have. 1. Looking at a couple other comments on Mira's arc and her "opposite" and I go along with what they talk about Mira going from someone who can't fight the Behavior Code to someone who now can. I'm sure there can be some polishing to this, im not sure what that is. 2.I think the amount of characters you have works for the story. Yeah sometimes it feels like you have to many or not enough. But for your story I think it works well, it may work better add a few more even smaller characters. 3.Your world is fantastic, it reminds me of other stories where you have this big "perfect" society but its built on pillars of salt and sand. I personally don't think delving into one or the other, fluffy or dark, is good. But if you expand on each in equal parts to show how easy things are but the dark reality is ever clawing at the outside of the cage may be a good road. 4.Honestly maybe during the junkyard scene, the anidroids where falling into degradation a bit, and even though Mira was bed ridden. The anidroids would come to her to "fix" them with what they had in order to have Mira feel as though she is physically keeping the anidroids going, which could also play into the whole humans are in charge thing and a bit foreshadow to the convo with Mother.

Demon Of Life

I think I think I like this much better than Argo. Also did I read that as confirmation that Mira is indeed flesh here? Also... Oh no. Lily has *two* Miras! Whom will she love?

Summercat

Each of them were put in charge of some aspect of Father's reconstruction of the world, but I think most of them didn't develop in the same direction that Mother did. We'll probably see some of her sisters at other points in the series (if this gets off the ground like I want!)

Rick Griffin

If the denouement was longer you'd have time to show Million back at work with or without her boss fixed up with a human-like body. But what about the other 14 mysterious AIs running the world? There's not even a hint of what they're up to and it seems like maybe there should be.

Aaron Mandelbaum

I do think that she maybe could have one or two more things to do so she does not completely come off as the side character to her own arc, but it can't be something that makes her succeed against the behavior code by herself (like how she tried to stop dimes but failed and had to have Eo stop Dimes, or the whole ani-droid squad working together to stop Paladin Bright)

Fingers

3. There's a lot here to tidy, but nothing major. A couple things come to mind; Have Mirra/Bobby notice the lack of kids. When they converse they can joke they can't remember the last time someone had a baby shower. Seems weird to only mention that at the end (if it was mentioned earlier and I forgot I apologize, I should re-read the whole thing) Gasoline in the truck should not be good. You can have this fixed if you have them in an area where they're going through people's houses to escape. There's a few vehicles that can easily be disabled, so they decide escaping that way is foolish and they continue through houses hoping to lose their pursuers. They come across a garage with a ton of old gear, CRT tv's, retro games, etc. The garage has a couple gasoline cars and a tank capable of storing gasoline and preserving it. I don't think the gasoline issue is a must-fix in a world that's pretty flexible on tech realism, but since you're looking to rewrite how they find the car anyway something like this might fit well.

ArcadeDragon

Love the draft! You've got a fun story once you've refined the edges a bit. As for your points: 1. Mira might not need to start at the "opposite" of her end character but she should probably start with the question she eventually answers. "what am I willing to lose." There's a lot of times she can ask herself this. When she keeps Lily in the garage, is she losing her humanity? Have her think that wouldn't be so bad... if it didn't cost Lily her freedom too. Then when she's working with Koenig (millions master who I can't remember the spelling for). She's willing to become a criminal? Not just in the eyes of the behavior code, but in violation of other laws and ethics too. I think her arc is less becoming someone new and more being honest with how far she's willing to go. You can even have her sympathise with Million, Mother, and the Behavior Code sister in this way. They're all certain how far they will go to achieve their ends. Something she may envy in Million, and allows them to be close even when the others hate the Cat for what she does. 2. There's a lot I could suggest here, but there is one thing I'd love to see. It's a bit indulgent, so don't hesitate to ignore it outright, but anyway: Have Millions "cost" to help her owner that she be reassigned to "Mira". Have the records scrubbed so she was never K's AniDroid, just one of many in the company. The in-universe reason would be Million has access to too much resources and power under K's ownership. Million is not quite aligned with Mother, and Million would work to undo whatever locks Mother puts on Robot K. They could easily become an antagonistic force, so to ensure that they do not Million will move to be with Mira and K will forget he ever owned her. (You can of course have K protest this, and Million be the one to acquiesce) The meta reason would be because Million now being a subordinate to " Mira" will irk her something fierce, and though she and Mirror will have a stronger connection now (I hope), Million can still be quite standoffish with her now equal. I think it's a good dynamic. Indulgent as all hell, but I think it can work with the right lead up!

ArcadeDragon

Not very well experienced in writing, but I'll try and give my best feedback. I interpreted Mira's arc as starting off by being a successful and capable individual that wanted to achieve something that the world was saying she could never hope to achieve and having no means to fight that, which I think tied in nicely to the 4th point of not driving the story much. Anything related to the behavior code she can't fight, but she still has her engineering skills and her own insight that she was able to contribute and drive to find the solution to her problem. So her opposite after all that occurred rounded off with mother giving her the ability she sought to fight back, and go above and beyond the limits the world had imposed on her.

Fingers

Kay, updating the post with this link https://drive.google.com/file/d/1u7TRlexYcSDB8qPqg5NhP-bKaviKId8V/view?usp=sharing

Rick Griffin

So can you post the finished story as a single PDF now? Just so we don't need to click 20 different links to read it?

Leo G.


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