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funny2517
funny2517

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I'm deeply concerned about the outline these days.

I'm deeply concerned about the outline these days.

There is an outline = The work is difficult, but the performance is good and the cartoon feels good. It's a must for some characters. However, there are many parts that break and the part where the joint folds becomes strange.

There is no outline = It's easy to work on, but the cartoon feel should be reduced and the live-action feel should be enhanced.

I like to do a lot of work at once, so I've brought some examples that will follow. Please vote to see if it's better to have an outline.

However, this is for reference only, and there is a high possibility that each character will take it differently. (If your chest gets weird when you turn on the outline, you can get rid of the outline.)

最近外郭線に対する悩みが深いです。

外枠がある=作業は難しいがパフォーマンスが良く漫画の感じが良い。 一部のキャラクターには必須です。 ただ、割れる部分が多く、関節が折れる部分がおかしくなる。

外郭線がない=作業が楽だが漫画の感じが減り実写感を生かさなければならない。

私は大量の作業を一度にするのが好きなので、今後出てくる例をいくつか持ってきました。 外郭線があるのがいいのか投票をお願いします。

out line on


out line on


ㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡㅡ


out line off


out line off

Comments

If it's not inevitable, I have to keep the outline!But there will be works that have no outline. I'm sure there are people who like it. Thank you for your vote.

Once again, it is not a complete decision like the last vote. It's just to find out your preference, so you can vote lightly. It would be best to create a work that fits the character's mood.


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